ML Workshop: Grant Writing with Amy Blackmore (March 2024)

MainLine Theatre

ML Workshop: Grant Writing with Amy Blackmore

Take this straight-forward grant writing workshop! We'll cover where to get started, practical dos and don'ts and healthy process practices. Let's discuss how your work fits into the greater picture and help you get a head start in applying for those grants! Designed as a part one to Amy’s intro to grant writing workshop series (grants and timelines coming up on March 20), everyone is welcome. This is an English workshop.

Wednesday, March 20 from 7:00PM-8:30PM
Online, using ZOOM technology.
Limited number of spots!

REGISTRATION
This workshop is Pick-Your-Price, making it accessible to a wide range of folks. Suggested registration is $20. To register for the workshop, head over to the link and confirm your spot: https://montrealfringe.online.red61.ca/event/2030:400/2030:1907/

Zoom link and details will be sent in the confirmation email.
If you have any questions, don’t hesitate to contact boxoffice@montrealfringe.ca

***
Amy Blackmore is the Executive and Artistic Director of MainLine Theatre, the Montreal Fringe Festival and the Bouge d’ici Dance Festival. An artist and META-nominated (Montreal English Theatre Awards) choreographer, her recent projects include direction of Kenny Streule’s Malunderstood, Oren Safdie’s Gratitude and MainLine Theatre’s Richard O’Brien’s The Rocky Horror Show. Her cultural collaborations include the visioning of the Fringe World Congress (2016) which garnered MainLine a nomination to the prestigious Grand Prix du Conseil des arts de Montréal and the chairing of the Quebec Drama Federation Congress Shaping the Future of English Theatre in Quebec (2018). Amy was a finalist for the Montreal Junior Chamber of Commerce’s Young Cultural Entrepreneur Award (2019) and a leadership fellow at the Business/Arts Canadian Arts Summit (2019). With over 15 years of grant jury experience, she works with Playwrights’ Workshop Montreal (PWM) and the English Language Arts Network (ELAN) as a grant consultant. She was President of the Quebec Drama Federation from 2015-2018 and recently completed her ten-year tenure on their board of directors. Amy is now the Vice-President of the Caisse Desjardins de la Culture, the President of Parts+Labour_Danse and the President of the Canadian Association of Fringe Festivals (CAFF).

Having sat on juries for Canada Council for the Arts, le Conseil des arts et lettres du Québec and le Conseil des arts de Montréal, Amy works with Playwrights’ Workshop Montreal (PWM) and the English Language Arts Network (ELAN) as a grant writing consultant for artists.

HORAIRE / SCHEDULE

  • Mercredi 20 Mars 2024 / 19:00

90 minutes
Pas de retardataires / No latecomers

Coming Soon

"Le Collectif Les Tisseuses s’est formé à partir de l’envie de rassembler des femmes et des personnes non binaires autour du jeu théâtral en décloisonnant les pratiques et les imaginaires. Il est composé de huit artistes aux origines, pratiques et vécus multiples.

Les Tisseuses ouvrent leur espace créatif avec une étape de la pièce Notre tour c’est quand?, une proposition scénique intimiste.

La pièce raconte l'histoire des funérailles de Pilar, la matriarche d'un quartier. On y retrouve des femmes aux horizons pluriels venues honorer la mémoire de celle qui a su entrelacer leurs existences en leur offrant la possibilité d’assembler leurs histoires. À travers ce moment de deuil, se tissent des liens qui transcendent les frontières de leur famille, de leur quartier et de leur pays, offrant un portrait poignant de la force des relations féminines et de la sororité.

En se rassemblant à la croisée des cycles de vies, les personnages que vous allez rencontrer s’adressent des questions millénaires, et cheminent au cœur de leurs vérités en nous rappelant qu’il n’est de refuge plus solide que celui de nos solidarités.

La pièce s’achèvera par un échange entre les artistes et le public, permettant de recueillir les impressions de ce dernier. Modéré par la directrice artistique du festival.

For one night only (well, technically six,) drag king Kris Ma’cheque is headlining his very own cabaret! And he promises it’ll be a good one. No matter what. Featuring a new act every show, Personal Best is a funny, moving, unpredictable journey into one performer’s desire to make the grade.

Told in the style of Fleabag with an early 2000’s pop-punk soundtrack, this award-winning playwright’s one-woman comedy follows party-girl Candace as she runs away to Mexico for her best friend's destination wedding. A karaoke bar, dead goldfish, and a spirited adventure. You won't have regrets... but Candace might.

Playwright: Sara Mayfield

Director : Damon Bradley Jang

Actor: Sara Mayfield