Container

Rosemary Leach

Company website

“Container”

An exhibition of impressionist paintings by Rosemary Leach.

“Many of my compositions involve an empty glass left on a stair, a bowl of blueberries, a pot of coffee. The notion that our moments are held purposefully is appealing to me and creates a sense of safety and intention. Like the Buddhist begging bowl, I like the idea of gratitude for what life serves us, even when that means holding emptiness.”.

FREE!

Event held at the MainLine Gallery.

HORAIRE / SCHEDULE

  • Wednesday 17 May 2017 / 14:00
  • Thursday 18 May 2017 / 14:00
  • Friday 19 May 2017 / 14:00
  • Saturday 20 May 2017 / 14:00
  • Sunday 21 May 2017 / 14:00
  • Wednesday 24 May 2017 / 14:00
  • Thursday 25 May 2017 / 14:00
  • Friday 26 May 2017 / 14:00
  • Friday 26 May 2017 / 14:00
  • Saturday 27 May 2017 / 14:00
  • Sunday 28 May 2017 / 14:00
  • Wednesday 31 May 2017 / 14:00

360 minutes
Retardataires / Latecomers : 360 minutes

Coming Soon

Sexuality is always wrapped up in structures and systems of power. This new verbatim theatre play by Dane Stewart offers an intimate and radically honest examination of sex and power from a queer perspective. Five students take a graduate seminar studying the work of revolutionary philosopher Michel Foucault. As they argue over issues of sexuality, gender, oppression and free will, these theories begin to rupture and spill out into their own lives. The characters expose the complexities of sexuality as it collides with BDSM, pup play, disability, gender, race, and sex work.

See the sensational play that sparked an international phenomenon. Worlds collide in Richard O'Brien's musical-theatre masterpiece as camp sci-fi meets sexual exploration, glam-rock, and sensual daydreams to treasure forever.

La performance d’Oli Sorenson découpera plusieurs reproductions des tableaux de Paul-Emile Borduas qu’il a produit en examinant des jpeg trouvés sur Internet sans respecter toutes leurs qualités matérielles. For his performance, Oli Sorenson will cut into several reproductions of the works of Paul-Emile Borduas, which he executed simply by examining jpeg found on the Internet, and unfaithfully respecting their material features.